Greenbelt / Blog / October, 2009

October 09 podcast: Trust Greenbelt

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Just one small slice of the amazing Trust Greenbelt story and what the Festival's giving has enabled so far.

We talk to Greenbelt Trustee Paul Wilson about how the Trust Greenbelt idea was born, Greenbelt Treasurer Jonathan Smith about how much money Trust Greenbelt gives away each year, Rachel Duncombe-Anderson about Epic Arts' work, Liz Dorton about the community arts project that was Hull Fludde, Chris Verney about the work of Integrate Leeds, Ruth Bennett about LCET's 'See Me' exhibition, Paul Richards about Heavy Load, and Meryl Doney about WallSpace's 'Visionaries' exhibition.

Click here to download the .mp3 podcast file (30.9MB)

Or stream the audio using the player below.

[podcast]http://www.greenbelt.org.uk/downloads/podcasts/gb09_oct_09_podcast.mp3[/podcast]

Timings – so you can dip in and out if you want to:

00.00 – 02.16 – Intro
02.16 – 05.22 – Paul Wilson – on how it all began
05.22 – 06.25 – Jonathan Smith on giving the money away
06.25 – 08.22 – Rachel Duncombe-Anderson, Epic Arts
08.22 – 10.05 – Charlie Ryder, The Anne Peaker Centre
10.05 – 12.06 – Liz Dorton, Hull Fludde
12.06 – 15.13 – Chris Verney, Integrate Leeds
15.13 – 17.00 – Ruth Bennett, See Me, LCET
17.00 – 20.28 – Paul Richards, Heavy Load
20.28 – 22.30 – Meryl Doney, WallSpace
22.30 – 23.30 – Paul Wilson's take on Trust Greenbelt so far
23.30 – 25.21 – Outro

Resources and links

Trust Greenbelt
Click here for more Trust Greenbelt stories and to give online.
Click here for how to apply.

Epic Arts
Click here for Epic Arts' website
View a video of their work in China here:

Ann Peaker Centre and Charlie Ryder
Click here for the Anne Peaker centre website.
Click here for more on Charlie Ryder's arts work with offenders.
And click here to see Charlie being interviewed about prisoners' artwork on Channel 4.

Hull Fludde
Click here for more about Hull Fludde at Greenbelt.

Integrate Leeds
Click here for the Integrate Leeds website.

LCET, See Me
Click here for the LCET, 'See Me' website.

Heavy Load
Click here for the Heavy Load website.
View a video of the band here:

WallSpace
Click here for the WallSpace website.
Click here for more about the Visionaries exhibition at Greenbelt 2009.

Soundtrack

Folsom Prison Blues – Johnny Cash
Dear God – Monsters of Folk
Lucky Gilchrist – The Unthanks
Living By Water – The Unthanks
The Fixer – Pearl Jam
Never Far – Miriam Jones
Be With Me – Foy Vance
Counting Screws – Heavy Load
USA – Heavy Load

Credits

  • Narrated by Grace Wroe and Garry Rutter
  • Mixed and Edited – bigJohn Noble
  • Written and Executive Produced by Paul Northup
  • Co-production – bigJohn Noble
  • Narration recording – Iain Archer
  • Field Recording – Paul Northup

Pictured at the head of this blog post, mosaic work at Integrate Leeds 2009

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Patience With God by Frank Schaeffer

41fW9soHGUL._SS500_If you enjoyed Frank Schaeffer's talks at GB08, you might be interested to know that Frank has a new book out:  Patience with God: Faith for People Who Don't Like Religion (or Atheism)

"Former evangelical Christian political agitator Schaeffer has been born yet again. This time, he has been reborn into what he calls the Church of Hopeful Uncertainty, as defined by his belief that the vast majority of people inhabits a middle ground between the two fundamentalist extremes battling one another for followers in the world today. He suffers no one who advocates a devotion so rigid as to exclude any but the stanchest. He names names but is an equal opportunity assailant, laying into fundamentalist atheists and religious zealots alike, decrying both for inflexibility and the blatant commercialism of their enterprises. Make no mistake, Schaeffer is not proselytizing. He knows, or at least hopes, that with this book he is singing to the choir of millions fed up with or unable to commit to full-blown atheism or stiff-necked religion of any kind. His belief that faith, in God or not, ought to support and enrich one’s life, not run it into the ground, strikes, he hopes, a universally appealing chord."
- Donna Chavez

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greenhaus – greenbelt school of art – part2

In the post below you'll see a mention of a video Jonah Mayfield produced – with some able assistance – at this year's Festival. Well, here it is…

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greenhaus – greenbelt school of art

We had more classes than ever this year covering a variety of subjects.

Jonah Mayfield ran a film workshop for all ages on the theme of 'time' Things moving at different paces: slow, fast, reversed.

He took 2 groups of 10 around several spots of the site and allowed them to film whatever they wanted, then edited the footage into a short film.

We also had a class on Digital Photograpy & Post Production  taken by Richard Shepherd & Henrik Dahle.

Here is the image created in the class & click on it to see all the images that were used to create it.

everyday_occurence
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Slow crafts exhibition

For those of you still yearning for a "Long Now" experience you should point your feet, trains and cars in the direction of Birmingham and check out an exhibition.

The Birmingham Museum and Art Gallery is hosting an exhibition of Craft and the Slow Revolution from the 17th October 2009- 4th January 2010.

The exhibition looks at how contemporary craftspeople respond to ideas about slowing down how we work and what we produce, and the importance of contributing to a more sustainable society.

Included in this exhibition is a giant wool hanging that will be partly created by visitors, and a family activity guide to find out more about the exhibits. The exhibition also includes film and photography.

It's held in the Waterhall and admission is free (my favourite word).

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11-11-11

11-11-11

Jon Bounds spoke at the Festival this year. One his excellent talks was about his 11-11-11 project.

He's written about the project he's conducting this year for the blog.

I there’s one thing I like in the Old Testament is it’s grasp of the symbolic power of encircling a town. When Joshua brings down Jericho it's not the brass arrangement, it's the ongoing circumnavigation. So if there was an easy way to surround one of Europe's largest cities you'd do it, wouldn't you?

Luckily there is — the eleven bus. The number eleven skirts the city of Birmingham, the 11C clockwise, the 11A anti, taking in all of its great suburbs as far from the blandly redeveloped city centre as you can get without ending up in the wider conurbation. At two hours 45 minutes long it's one of the longest bus routes in Europe, and if you stop on you can go round and round again.

And I did, and so did about 30 other people last year on the eleventh of November. I asked for people to spend eleven hours, from eleven o’clock, rounding the city and to record their thoughts, emotions and experiences (they’re collected online at elevenbus.co.uk).

As a feat it required endurance, a packed lunch, mobile internet technology or a pen and paper, and a daysaver. A daysaver entitles you to as many bus journeys within the West Midlands in one day as you like — ideal for getting off in Bournville, Perry Barr, Acock’s Green, or Erdington and exploring parts of Birmingham that you’ve not visited. Or if you already have, then your memories for the recording will be so much richer.

But eleven hours is a lot, a big commitment, so we’re relaxing the rules a little this year. Instead of having to do the full eleven hours, one circuit is enough — but make sure that it is completed within the eleven hour window. The rules are:

  • Get on the 11C at some point after 11am on 11/11.
  • Get off the 11C exactly one circuit later.
  • You can get on and off the bus as many times as you like (don’t spend more than an hour off bus at one time).
  • Document your journey; photos, film, writing, cross-stitch, knitting, amigurumi, poetry, blog, twitter, however you like.
  • Meet up with others as mad as you, if you want.
  • Record everything on elevenbus.co.uk — or on your own space and link us up.

Watch the blog for more information in the run-up to the great day. If it’s better to travel hopefully than arrive, Birmingham is the ideal place.

Jon's worked in publishing, music journalism, and in a venetian blind factory. Now, after several years at the BBC, Jon is a freelance social media consultant and producer, writer and blogger. His common theme – tech plus people equals great things. He's obsessed by place.  www.jonbounds.co.uk

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Free Duke Special Sampler

duke

The Duke has been in touch and following his appearance at this year's Festival he has kindly offered Greenbelters a free album sampler. Click here to sign up for his mailing list and then you'll receive links to 11 tracks.

How very generous!

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gb_visual arts : self portrait 09

self portrait 09

In the hub at the festival this year over 400 people came & did a self portrait, and we were busy all weekend scanning each one.

We have created some screensavers you can view & download here

All the drawings appear somewhere in each of these three sizes – 1680 x 1050, 1600 x 1200 and 1024 x 768 – just choose the dimensions that best suit your screen size. Layouts differ across the three sizes [ie a set that you can find in 1680x1050 probably won't also appear in 1600x1200 format] although not always……. so take a look & see if you can find yourself !

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Greenbelt Nominated for Festival Awards

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While we're immersed in picking up the pieces from this year's Festival we've just found out that we've got three nominations for this year's Festival Awards.

Needless to say, we're up against some heavy hitters, so if we're to stand any chance of success we need our loyal supporter base to hop on over to our page of the Festival Awards website, and vote for us. We're nominated for:

  • Best Medium Sized Festival
  • Family Festival Award
  • Best Toilets

Ps. Given the fact that the odds are stacked against us, we could really do with those that have the capability tweeting and blogging about our nomination. If you do so, link back to this post and in a month's time we'll choose one lucky winner, who will be sent a stack of GB goodies!

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Some responses from the curators of the Sunday Service

communion

From Rachel Stringer, Head of Content

Greenbelt’s Sunday Service (usually communion except in years of Swine Flu!) is the one point of the Festival when we take time to come together as the community of Greenbelt to pause, reflect, celebrate, love, and share in the divine with each other. Over 10,000 people spend the hour together in an act of Christian worship…that’s some 10,000 people of different ages, creeds, denominations, experiences, and backgrounds. And some 10,000 people with different expectations of what that hour spent together should look like. Some people want a traditional Anglican service, others look to Greenbelt to offer something different to their usual Sunday service (be it Anglican, Catholic, Methodist, Baptist or any other denomination). Some want a sense of the familiar, whilst others want something completely radical to anything they’ve experienced before. And some people don’t even want a service, preferring to spend the hour with a cup of coffee, the Sunday papers and communing with the Spirit in their own individual way.

With that in mind curating the Festival’s Sunday Service has to be one of the hardest jobs to ‘get right’ all weekend, and it is impossible to please all of the (10,000+) people all of the time. We’ve had lots of emails in expressing gratitude for a service this year that was creative, inspiring, thought provoking, and eye opening. As well as emails asking for more information and even some requests for spare olive seeds to be used in other similar services around the country. But we’re also aware that for some of you it wasn’t everything that you’d hoped for.

And perhaps because we’ve had the blog open this year for the first time after the festival, this (cyber)space has been somewhere a few people have turned to, to voice their thoughts and feedback. So it is here that the team who went to Palestine last year and who kindly wrote and curated the service for us wanted to address those points raised.

Whatever your thoughts on the service, whether you enjoyed some, all, or none of it, I would like to thank everyone who was involved in making it happen. Those who donated their time, passion, creativity, art, love and labour to make a moment at the festival where everyone was invited to stand in the Long Now together.

Some responses from the curators to the Sunday Service blog comments

What about the music?

While we’ve had really good feedback about the Bethlehem lullaby which Reem Kelani led and the chorus, God of Peace and Justice, led by Agents of Future within the prayers, we’re aware that – while some people loved the hymn singing – rather more of you have been vociferous in your dislike.

As curators, we deliberately chose well-known hymn tunes with modern words because one of the things we know works from experience in a big service like Greenbelt’s – where there’s a degree of experimentalism because we are an arts festival – is familiar melodies. So we wanted music that people would feel familiar with, engaged by and drawn together in – and married to lyrics reflecting the ideas behind the service.

The great thing about an arts festival is that all kinds of artists are involved and the great thing about art is you can make things up – so when we heard about US based Agents of Future being at the Festival we called them up to see if they’d be willing to lead the hymn-singing. They were up for it and we started swapping emails and phone conversations and video clips of their rehearsals. They were taking a chance with us and we were taking a chance with them… and what is stepping out in faith if it’s not taking a chance or two?

Throughout our dealings with Agents we were struck by their humility, flexibility, lack of ego and genuine sense of honour at being involved. As it turned out, for some people, this element of the service didn’t work. While Agents lead with the robustness and passion we’d hoped for, the lack of a strong melody for the hymns made the arrangements a little too complex to sometimes follow.

But art and faith is about taking risks. Sometimes we have to find ways to offer up our worship even when the ‘style’ doesn’t totally float our boat, or the delivery falters. We like to think that our communal stumbling over timing might have raised a little smile on the face of The Almighty.

What about the Politics?

The Guide and the service booklet made it very clear that the Service would have a ‘perspective’. That it would be rooted in the stories of the people who live in the Holy Land, and in particular the Palestinian people, whilst being told by both Palestinians and Israelis. Every church service you ever go to has a perspective and every one is political. It’s just that this isn’t usually spelled out. But, Sunday-by-Sunday, we all assent to various politics in our worship in terms of what is said and sung – and who takes part and who does not.

We developed the Service around a motif, an idea, a symbol that was both Biblical and universal. The olive seed, the olive branch and the olive tree were our ‘hooks’ on which we hung the Service. As a Christian act of worship, we rooted it in the Bible and around one of its central images. The olive tree is one of the most striking icons that burns itself onto your consciousness when you visit Israel and Palestine, so it was a way of telling the story of the place and the people, too.

Why no communion?

In organising such a large public event, we needed to do the right thing; both taking into consideration issues of public health and being mindful about how people’s perceptions might also impact proceedings. The group of us putting the Service together took into account the guidance being issued by church and government bodies around best practice in the circumstances. We looked at marrying the practicalities of people’s anxieties around flu with the choreography of the Eucharistic liturgy and in the end made the call that dropping it from the service was best – while providing an opportunity shortly afterwards in a separate venue for those who still wanted to receive communion to do so.

Why no translation of readings in Hebrew and Arabic?

We wanted people to hear the voices of the region. Sometimes following stuff and reading it while it’s read means that you switch off from the reader. We wanted people to keep their heads up and keep their ears open to hear. We gave the Bible references with a succinct summary of the stories. Our aim was, as one theologian has put it, to ‘make the word strange’ – to slightly disarm people so that they perceived things more clearly, as if for the first time.

Why no sermon?

We chose to hear multiple voices rather than one. The Service set out to tell the stories of people from the Holy Land. Both Palestinian and Israeli.

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