Greenbelt / Blog / May, 2009

Reem Kelani's favourite dish!

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On Friday, the Financial Times ran an interview with Reem Kelani, who's playing at Greenbelt 09.  Reem talked a lot about Palestinian cookery and gave the FT her favourite recipe.  You can read the whole interview here, and here's the recipe for Reem's Chicken and onion mussakhan wraps:

Known as “muhammar” in Galilee and Nazareth, “mussakhan” can be made into wraps, or it can be made into a pizza, with the chicken and onion piled on to a thin dough base and baked. The latter is served as a main dish, while the wraps are served as a starter. 

This is Reem Kelani’s recipe, and it comes from her sister’s mother-in-law, Izdihar Afyouni. It serves 4-6 people.

Ingredients
500g skinned and boneless chicken breasts
Juice of half a lemon 
½ cup Palestinian extra virgin olive oil, plus extra to brush the wraps
1 tsp Palestinian mixed spices
Sea salt and freshly ground black pepper to taste
4 medium onions, finely chopped
1 tbsp sumac, plus extra for garnish
¼ cup pine nuts, toasted in a hot oven
2 large shraak (Palestinian flat bread) or markouk (Lebanese handkerchief bread)

Method
● Cut the chicken into long, thin strips and marinate with the lemon juice, half the olive oil, mixed spices and salt and pepper for at least two hours.
● Put the chicken in a pre-heated saucepan, cover and cook in its own marinade, shaking the pan every now and then for about half an hour. Then add 1 cup boiling water and cook until the water evaporates and the chicken is done.
● Fry the chopped onions in the remaining olive oil until cooked but not coloured – add a little water to let them cook thoroughly without caramelising. 
● Add the sumac, toasted pine nuts and salt to taste. Cut the bread into rectangular pieces, making sure it is wide enough to roll over into wraps.
● Spread some of the onion and nuts mixture on each piece of bread, then spread some chicken over the onion, sprinkle a little more sumac and roll into long, cigar-shaped wraps.

If anyone cooks this, let us know how it goes!

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May 09 Podcast: Festival lineup – slice 1

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Just one small slice of the lineup for 2009

We talk to Rachel Stringer, Greenbelt's Head of Content, about her role, its joys and challenges, Shlomo about beatboxing, The Vocal Orchestra and coming back to Greenbelt, Mark Vernon about agnosticism and the School of Life, and Vito Aiuto from The Welcome Wagon about their debut album and Sufjan Stevens' friendship.

Click here to download the enhanced .m4a podcast file (31 MB).

Or stream the audio using the player below.

Or if you still prefer good old MP3 format click here (30MB).

Timings – so you can dip in and out if you want to:

00.00 – 01.44 – Intro
01.44 – 03.42 – Rachel – on her role as Head of Content
03.42 – 08.38 – Shlomo
08.38 – 09.22 – Rachel – highs
09.22 – 12.56 – Mark Vernon
12.56 – 14.47 – Rachel – the challenges
14.47 – 18.50 – Vito Aiuto from The Welcome Wagon
18.50 – 20.15 – Rachel – some other highlights
20.15 – 21.50 – Outro

Resources and links

Shlomo's website

Mark Vernon's website

The School of Life website

The Welcome Wagon's website

And click here, here and here to read what Sufjan Stevens writes about some of the songs on their new album (and to listen to the material too).

The Greenbelt 2009 lineup

Soundtrack (click to buy in iTunes)

Sufjan Stevens -UFO Sighting / The Tallest Man, The Broadest Shoulders
Royksopp – A Feeling of Care
The Welcome Wagon – Sold to the Nice Rich Man / I am a Stranger
Sway – Fit 4 a King / Letters to Heaven
Shlomo – Kernia / Lyrical Distortion

Credits

• Narrated by Phil Smith and Grace Wroe
• Narration recorded by Iain Archer
• Mixed and Edited – bigJohn Noble
• Written and Executive Produced by Paul Northup
• Co-production – bigJohn Noble
• Field Recording – Paul Northup

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A mention from across the pond…

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Greenbelt features in an article entitled 'Festivals Across the Pond' in this month's US-based Relevant magazine.  The article was written by Becky Garrison, who spoke at Greenbelt 2007, and also includes a nice quote from Jonny Baker: "this festival can act as both an encouragement and a spark to the imagination of people in the States".

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Can political activism survive in a politically cynical age? – a free talk for May 09

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Bev Thomas asks whether, in an age of cynicism and lack of engament in the democratic process, political activism can play a central role in transforming our communities. We are pretty sure there is a Greenbelt recorded talk out there for every occasion. And this month's free recorded talk, recorded at Greenbelt 2007, demonstrates that.

Bev will be returning to Greenbelt this year, so if you like this, be sure to hunt her out!

Click here, to subscribe to the Greenbelt podcast stream in iTunes (which includes free talks alongside our monthly podcasts).

Click here to download this talk (27.2 MB).

Or stream the audio using the player below.

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Carol Ann Duffy is named Poet Laureate

Carol Ann Duffy has been named as the new Poet Laureate, the first woman to be appointed in the 341-year history of the post.

Portrait of Carol Ann Duffy

She's the first woman, the first mother, the first lesbian to be appointed to the post. She was widely regarded as the runner up to the post when Andrew Motion was appointed ten years ago. She's won every prize going for poetry & is largely considered one of the best living poets.

When we were discussing which books to choose for the Greenbelt Book Club I remember mumbling something about Carol Ann Duffy looking likely to be named as poet laureate (this was back in early January) but not feeling too convinced about it. I wish I'd had the foresight to put a bet on the result.

We're reading her latest collection of poetry Rapture as part of the Greenbelt Book Club.

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Sing the news.

The internets is a great place to find the strangest things & today it threw a digested look at the news of the week filtered through an Auto-tune- it's the device that made Cher's voice go all wobbly in her 1998 track Believe and it can be used to make someone off pitch sound on pitch, I'm sure it could even make some of the flatter notes I've been known to sing in the shower sound lovely.

I saw this on the Rachel Maddow Show on MSNBC where two of the brothers (plus Sarah Fullen) gave a small clip of Katie Couric singing about thin ice at the North Pole. I was hooked. Firstly, the lovely Katie Couric singing about global warming. Secondly, making satirical use of an auto-tune? People plus technology equals lots of fun!!

These clip provokes three strong questions for me:

1) The auto tune has been around for a number of years and can be used to fine tune and repitch a singers voice. Why bother finding good singers at all? Why battle it out on X-Factor or graft playing small gigs when you can take someone, switch on a machine & "fix" the flaws in their voice? Katie Couric manages to sound good singing about thin ice just by applying a little technical wizardry. At the Grammy's in Feb 'Death Cab for Cutie' wore blue ribbons to protest the use of autotune in the music industry. I'd love to know what musicians who read the greenbelt blog or perform at the festival feel about the sly use of the auto-tune. Is there an expectation from performers that their voice will just be run through the magic box?

2) Satire is important to society. Towards the end of the Bush administration making satirical jokes about George W felt a little cruel. I thought satire might falter with the passing of the administration but it seems satire around the globe is alive and well, even under the shining leadership of Obama but now the satirical gaze appears to be pointing more at the people who report the news.

3) Who writes some of the things newscasters say? I know some of them are improvising to a point but in another clip where Katie Couric is talking about global warming she says there will be a "snowball effect" and we're "on thin ice"- the joke doesn't even really need setting up, it just spins itself.

For more auto-tuned news, both recent and not-so-recent check out the Gregory Brother's youtube channel or their website: http://thegregorybrothers.com/

(Make sure you catch Katie Couric on Auto-tune news #2 singing about thin ice, it's a revelation)

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Good, Fast & Cheap: 2 out of 3 ain't bad

russelldavies
Photo by Matt Patterson

by Nick Welsh

I came across Russell Davies*, (strategist, futurist, blogger & gadget maker – his words, not mine) after last years Do Lectures that Howies put on.

Russell (pictured) was talking, amongst other things, about failing. It’s a subject close to my heart (I’ve had lots of practice). I may blog about that here another time but for now, I wanted to pick up on something that Russell spoke about in his lecture and that’s Good, Fast & Cheap.

The idea is that as a producer (of anything really), you can only supply 2 of these 3 things. If you come to me and ask me to create a web site for you, it might be good and fast but it won’t be cheap. Conversely, if you want it quickly and cheaply, it might not be very good and if you want it to be good and cheap, it might take a little longer to produce than usual.

You can use this for anything really, from cooking a meal to making a film, from designing a car to organising an arts festival.

I really like it. As someone who deals with clients who are constantly demanding things to be better, faster and cheaper, it’s a useful little tool to remind them gently that actually, 2 out of 3 ain’t bad.

To see all of Russell's lecture, please click here.

(* Not to be confused with Russell T Davies who used to write Dr. Who and who is a completely different person).

Nick Welsh
www.monoindustries.com & www.the-monoblog.com
Twitter: @mononick

Nick Welsh practices graphic art and web design in Cambridge, UK under the name Mono Industries. He was involved in the music programme at Greenbelt for about 100 years and now helps out with various aspects of www.greenbelt.org.uk. He lives in Cambridge with his partner Jane, his daughter Edie and an Irish Terrier called Hattie.

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Review: Duke Special at Scala, London

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by Helen O'Sullivan (GB music administrator)

One of the things that I’m most grateful to Greenbelt Festival for is introducing me to Peter Wilson aka Duke Special. I remember seeing him play there about 9 or 10 years ago in a “magazine show” (possibly Last Orders!) when he was Booley’s frontman – he had baby dreadlocks and was hunched over a tiny keyboard; he made no eye contact with the audience but managed to mesmerise everyone with this beautiful angelic voice with the northern Irish burr. A few years on, Peter’s morphed in to Duke Special, has now got serious dreadlocks and an ever growing loyal following; and he’s a friend of BBC6 Music as well as being a regular on the Radio 2 playlist.

This current tour is showcasing ‘I Never Thought This Day Would Come’ which was listed as “album of the week” on Radio 2 a couple of weeks ago, the week before Bob Dylan’s!

Tonight at the Scala, the set consists of some new arrangements of old songs. There is a dramatic take on ‘Brixton Leaves’ and the old favourite ‘Freewheel’ is refreshed with the lead vocals sung by Gabi Froden of Foreign Slippers (the second of tonight’s support acts, they played in the Performance Café at Greenbelt last year). There are also lots of songs from the new album – some apparently frivolous until you zone out the up-tempo tunes and listen closely to the lyrics, like ‘Diggin’ an Early Grave’, ‘By the Skin of My Teeth’, ‘I Never Thought This Day Would Come (And Now It Won’t Go Away)’, while others are more contemplative like the lovely ‘Mockingbird Wish Me Luck’ and the delicate version of ‘Why Does Anybody Love?’ which stills the crowd.

There’s one cover which is of a Woody Guthrie song ‘Eisler on the Go’ and there are also a few songs from a new project which Duke explains is about a 1920s silent movie actor called Hector Mann who disappeared in mysterious circumstances (I won’t elaborate on his introduction as I don’t want to shatter any illusions). Hector Mann’s story has inspired some show-tune style Duke songs like ‘The Jockey Club (…Wanda)’, ‘Jumping Jacks’ and ‘Double or Nothing’ which we hear tonight.

It’s quite exhilarating to see Duke Special play to a packed out London venue to such a wildly enthusiastic crowd and he seems quite overwhelmed by the rapturous reaction to the set. There is a much appreciated encore, including a lively stumpf fiddle enhanced rendition (courtesy of Temperance Society Chip Bailey) of ‘Our Love Goes Deeper Than This’. The evening finishes with the band and support acts performing a sea shanty type tune ‘Creaky Boat Blues’, unplugged in the middle of the crowd which we all sing along to and carry on singing even when the musicians have wound their way back to the stage and then out of sight. Perfect!

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